Artist's Profile
 |
 |
 |
 |
77 Catherine Scriven
Kingfisher Cottage, 2 Plain Moor
Barton-le-Willows
York
North Yorkshire
YO60 7PF
Tel 01653 618751
Websitewww.catherine-scriven.blogspot.com
Emailcatherine.scriven@hotmail.co.uk
DirectionsFrom the A64, halfway between York and Malton, turn off towards Barton-le-Willows. At the village crossroads, take the main road past the phone box. Kingfisher Cottage is the first house on the left after the little bridge and before the railway crossing.
ParkingParking on the grass verge and some cars on the drive
Price Range£2-£600
StatementCatherine uses traditional and current technologies, from life drawings to digital photography. Recent work combines Japanese poetry, everyday activities and archaeology. Her interest lies in portraying individual worth through depicting the human body, personal objects, domestic and work-related activities. She is fascinated by both physical and symbolic properties of material and uses non-traditional materials or processes in her work. Concerned with structure versus chaos, repetition of process and form, she layers drawings or photographs to depict intangible links between separate elements.
Barton-le-Willows
York
North Yorkshire
YO60 7PF
Tel 01653 618751
Websitewww.catherine-scriven.blogspot.com
Emailcatherine.scriven@hotmail.co.uk
DirectionsFrom the A64, halfway between York and Malton, turn off towards Barton-le-Willows. At the village crossroads, take the main road past the phone box. Kingfisher Cottage is the first house on the left after the little bridge and before the railway crossing.
ParkingParking on the grass verge and some cars on the drive
Price Range£2-£600
StatementCatherine uses traditional and current technologies, from life drawings to digital photography. Recent work combines Japanese poetry, everyday activities and archaeology. Her interest lies in portraying individual worth through depicting the human body, personal objects, domestic and work-related activities. She is fascinated by both physical and symbolic properties of material and uses non-traditional materials or processes in her work. Concerned with structure versus chaos, repetition of process and form, she layers drawings or photographs to depict intangible links between separate elements.
