Artist's Profile
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29 Caroline Dunn
Manor Cottage
Finghall
Leyburn
North Yorkshire
DL8 5ND
Tel 01677 450566
Websitewww.carolinedunn.com
Emailcaroline@carolinedunn.com
DirectionsFinghall is on the A684, between Leyburn and Bedale, and is signposted in both directions from the A684. From Leyburn, go into the village. There is a farm immediately on right, then a large stone house, and then a bungalow. Manor Cottage is opposite. From Bedale pass the Akebar caravan park on the left. Continue for 50 yards and take left turn to Finghall into the village. The Queen's Head pub is on the right and 50 yards further on, on the left, is Manor Cottage.
ParkingParking is on the lane in the village.
Price RangeFrom £1.50-£1500
StatementCaroline is a mixed-media, machine embroiderer who uses natural fabrics as backgrounds, which are painted and dyed before being embellished with machine stitching. She often incorporates antique lace, whitework and printed or woven silks into her work, appliquéing them to the backgrounds created. Her sources of inspiration are virtually unlimited: at the moment her main source of inspiration are birds and the landscapes they inhabit, medieval illuminated manuscripts and storytelling.
Finghall
Leyburn
North Yorkshire
DL8 5ND
Tel 01677 450566
Websitewww.carolinedunn.com
Emailcaroline@carolinedunn.com
DirectionsFinghall is on the A684, between Leyburn and Bedale, and is signposted in both directions from the A684. From Leyburn, go into the village. There is a farm immediately on right, then a large stone house, and then a bungalow. Manor Cottage is opposite. From Bedale pass the Akebar caravan park on the left. Continue for 50 yards and take left turn to Finghall into the village. The Queen's Head pub is on the right and 50 yards further on, on the left, is Manor Cottage.
ParkingParking is on the lane in the village.
Price RangeFrom £1.50-£1500
StatementCaroline is a mixed-media, machine embroiderer who uses natural fabrics as backgrounds, which are painted and dyed before being embellished with machine stitching. She often incorporates antique lace, whitework and printed or woven silks into her work, appliquéing them to the backgrounds created. Her sources of inspiration are virtually unlimited: at the moment her main source of inspiration are birds and the landscapes they inhabit, medieval illuminated manuscripts and storytelling.
